鎮(zhèn)江金山導(dǎo)游詞（精選11篇）
1. 鎮(zhèn)江金山導(dǎo)游詞 篇一
金山位于市區(qū)西北，高四十四米，周五百二十米，距市中心三公里。古代金山是屹立于長(zhǎng)江中流的一個(gè)島嶼，“萬(wàn)川東注，一島中立”，與瓜洲、西津渡成犄角之勢(shì)，為南北來(lái)往要道，久以“卒然天立鎮(zhèn)中流，雄跨東南二百州”而聞名，被稱為“江心一朵芙蓉”。直至清代道光年間，才開(kāi)始與南岸陸地相連，于是“騎驢上金山”曾盛行一時(shí)。金山形勝天然，風(fēng)景幽絕，自古為我國(guó)優(yōu)美游覽勝地之一。
金山自古名稱很多，古人把揚(yáng)子江比作香水海，把這座山比作《華嚴(yán)經(jīng)》里的七金山，所以叫作金山。而宋代王存著的《九域志》中則有另一說(shuō)法：唐代高僧法海云游來(lái)此，為子修復(fù)寺廟，每日在山間披荊斬棘，一日挖到黃金。地方官李奇上反皇帝，皇帝敕令將黃金交法海作修復(fù)寺廟之用，并名山為金山。此外，金山還曾叫過(guò)澤心山、浮玉山、獲茯山、龍游山、紫金山等。而金山的名則與金山寺有關(guān)，金山寺巧妙地依山而建，富有獨(dú)特的建筑風(fēng)格，殿宇后堂幢幢相銜，亭臺(tái)樓閣層層相接，山體與寺廟渾然一體，構(gòu)成一組櫞摩棟接，丹輝碧映的古建筑群，景色壯觀，氣勢(shì)雄偉，形成“寺裹山”的獨(dú)特風(fēng)貌。宋休以來(lái)，京流傳著“金山寺裹山，焦山山裹寺”的評(píng)語(yǔ)。
金山又有“神話山”之稱，山上每一個(gè)古跡都有迷人的神話、傳說(shuō)和故事。中國(guó)有名的古典神話故事《白蛇傳》中“水漫金山寺”，就源出于此，民間流傳甚廣，為這座名城增添了十分迷人的色彩。小說(shuō)《說(shuō)岳全傳》中的岳飛到過(guò)的金山古跡“七峰亭”，景色宜人。章回小說(shuō)《水滸》中“張順夜伏金山寺，宋江智取潤(rùn)州城(即今鎮(zhèn)江城)”一回對(duì)金山瑰奇風(fēng)景，作了細(xì)膩生動(dòng)的描寫。清代皇帝康熙、乾隆多次南巡，駐蹕金山，留下不少“御制”文物，有關(guān)乾隆在金山的民間故事傳說(shuō)甚多，使金山更負(fù)盛名。歷代詩(shī)人、書法家、名人雅士，如白居易、李白、張祜、孫魴、蘇東坡、王安石、沈拓、范仲淹、趙孟頫、王陽(yáng)明等登臨觀景，留下了許許多多珍貴的遺跡和膾炙人口的題詠。唐代起，國(guó)際友人登山游覽者絡(luò)繹不絕。明代日本畫僧雪舟等楊居住金山兩年半時(shí)間，繪有《大唐揚(yáng)子江心金山龍游禪寺之圖》等有關(guān)金山的畫卷，現(xiàn)保存在寺廟。
金山這座青螺般的小山，卻包孕著許多風(fēng)流往事，具有無(wú)限的魅力，吸引了無(wú)數(shù)中外騷客和游人。有人說(shuō)“到了鎮(zhèn)江不去金山，等于沒(méi)到過(guò)鎮(zhèn)江”，此話自有一番道理，當(dāng)你游覽金山之后，便會(huì)明白其中的奧妙。金山游覽路線
江天禪寺——夕陽(yáng)閣——觀音閣——楞伽臺(tái)——佛印山房——金山四寶——慈寺塔——古法海洞——留云亭——妙高臺(tái)——七峰亭——白龍洞——朝陽(yáng)洞——古仙人洞——玉帶橋——御碼頭——郭噗墓——天下第一泉江天禪寺
2. 鎮(zhèn)江金山導(dǎo)游詞 篇二
Jinshan scenic spot is a national AAAAA scenic spot. It is located in thenorthwest of Zhenjiang City, north of the Tropic of cancer. With a height of 44meters and a circumference of 520 meters, it used to be the only island in theYangtze River. It is known as a "Lotus" in the middle of the Yangtze River. ShenKuo's poem "the water on both sides of the building is connected, and the sky inthe mirror of Jiangnan and Jiangbei" in the Song Dynasty is a portrayal ofJinshan. The architectural style of Jinshan Buddhist temple is unique. It isbuilt close to the mountain, with halls, pavilions and pavilions, and rafters.Compared with each other, it is bright and blue. In addition, cishou pagodastands on the top of Jinshan mountain, rising abruptly from the ground, makingthe whole Jinshan mountain seem like a magnificent temple, forming a uniquestyle of "temple wrapped mountain".
Entering the mountain gate is the heavenly king hall, which is a palacestyle building with a single eaves and a mountain to rest
Maitreya Buddha, whose mouth is always open, is flanked by the fourheavenly kings, also known as the four vajras. Behind the heavenly king hall isthe majestic hall with double eaves and Xieshan. In the center of the main hallare three golden statues of Sakyamuni Buddha, pharmacist Buddha and AmitabhaBuddha. On the west wall are eighteen Arhats. On the left and right attics sit56 heavenly statues. There are islands on the back of the three Buddhas. Aroundthe island are the statues of 53 Bodhisattvas of various sizes and shapes.
The rooms on both sides of the main hall are the Abbot's room and the placewhere the benefactor is received.
Climbing from the back of the main hall to Xizhao Pavilion, there are sevenQianlong steles preserved in the pavilion. Ascending from Xizhao pavilion toGuanyin Pavilion, there are four treasure rooms displaying the four treasures ofJinshan: Zhou Ding, Tonggu, Yudai and Jinshan map.
Guanyin Pavilion is connected with miaogaotai and lengjiatai in the south,and cishou tower and Fahai cave rafters in the north. From lingjiatai to thenorth, you can reach Liuyun Pavilion, the peak of Jinshan mountain. In thepavilion, there is a stone tablet named "Jiangtian glance" written by EmperorKangxi. Therefore, this pavilion is also called Jiangtian glance Pavilion. Inthe northwest of Liuyun Pavilion, there is a Qifeng Pavilion commemorating YueFei, a national hero of the Southern Song Dynasty. To the north of the pavilion,there is an ancient immortal cave at the foot of jin'ao mountain, which is arelic of Taoism.
From Guanyin pavilion to the north, you can climb the cishou tower, whichwas first built in Qiliang, more than 1400 years ago. There used to be twopagodas in Jinshan, which have been abandoned. The existing pagoda was rebuiltin 1900. The body of the tower is a wooden structure with seven steps. There arestairs to go up and down. Each floor is surrounded by corridors andguardrails.
From the cishou pagoda to Fahai cave, this is the place where the founderof Jinshan Temple, Pei Toutuo, the Buddhist monk Fahai, practiced hard. Thereare statues of Fahai in the cave. In the north of Fahai cave and beside Yudaibridge, there is a white Dragon Cave. According to legend, there are stonestatues of white lady and Xiaoqing in the cave.
Along the Bailong cave right up not far to Chaoyang cave, this cave is alsoknown as Rizhao rock. The hanging rock on the top of the cave is engraved withthe word "Rizhao rock". Every time the sun rises, the stone wall in this area isfacing the rising sun, and the golden light is shining everywhere. The water andsky are all red, which is a wonder. It is the best place to watch the sunrise inJinshan. The three characters "Chaoyang cave" carved on the cliff were writtenby Tengmi in Ming Dynasty.
3. 鎮(zhèn)江金山導(dǎo)游詞 篇三
The geological and geomorphological phenomena of "Sanshan Jinshan Lake" areextremely rich and typical. In addition to a complete anticline and variousstrata of Paleozoic, Mesozoic and Cenozoic, we can also see the fault surfacealong the Yangtze River and the northern flank of the anticline remaining on theriver, Jiaoshan, Songshan and LIAOSHAN, which is of unique significance for thestudy of the Yangtze River fault. It is the only material evidence that theYangtze River fault can be preserved to this day. In Beigu mountain, from thebottom to the top, we can see trachyte, tuff, rhyolitic trachyte and othervolcanic eruptive rocks. In Jinshan, the intrusion of granodiorite porphyry intoTriassic limestone can be seen. In the "No.1 spring in the world", we can alsosee the karst rising spring which was exposed in the river water in ancienttimes and has been ashore. In Jinshan Lake, we can see a series of accumulationlandforms of the Yangtze River, such as floodplain, side beach, and Zonggang. Wecan also see the erosion of the Yangtze River on the north bank (concave bank)and the accumulation of the Yangtze River on the South Bank (convex bank).Jinshan Lake, as a fluvial lake formed by the closure of the developed beach, israre in the Yangtze River
In addition, as a national scenic spot, the "three mountains" also havemany folk legends, such as "white lady flooding Jinshan Temple", "Liang Hongyubeating drums to fight the golden soldiers", "Liu Bei recruiting relatives","Jiao Guang's three imperial edicts can't afford", "Han Shizong's battle againstJin Wushu", "Du Shiniang's anger sinking the treasure chest" and so on.
Therefore, "Sanshan Jinshan Lake" has not only many geological and naturallandscapes, but also legendary cultural landscapes. The tourism industry herehas been developed earlier and has formed a considerable scale. It is the icingon the cake to build a Geopark by "upgrading and upgrading".
4. 鎮(zhèn)江金山導(dǎo)游詞 篇四
Dear tourists, when you come to Zhenjiang, the first choice must beJinshan. Because Jinshan is not only unique in terrain, but also known as "alotus in the middle of the river". What's more important is that the buildingson the mountain are exquisite, and the mountain and the temple reflect eachother. The mountain is a temple, and the temple is a mountain. The mountain isnamed after the temple, and the temple adds color to the mountain. Therefore, itis famous for "Jinshan Temple wrapping the mountain".
Tourists: on the way to Jinshan, let me first introduce the formation ofJinshan. Jinshan is located in the northwest of Zhenjiang City, with a height of44 meters and a circumference of 520 meters. It used to be a suspended reefisland in the sea. With the vicissitudes of life, because the Yangtze Riverimpacted the Guazhou on the North Bank of Jinshan many times in the change offlow direction, the whole Guazhou collapsed into the Yangtze River in the firstyear of the reign of Emperor Guangxu of the Qing Dynasty (1875).
The famous of Jinshan is closely related to the construction of JinshanTemple. As early as the late Eastern Jin Dynasty, a Zexin temple was built onJinshan. In the Tang Dynasty, there was a Buddhist monk named Fahai who openedthe mountain and got gold here. He rebuilt the ancient temple and renamed itJinshan Temple. The scale of the temple is very grand, and the incense hascontinued to this day.
There are many moving legends in the beautiful Jinshan. The story of "wateroverflowing Jinshan Temple" in the legend of white snake adds a layer of mysteryto Jinshan. Tourists: let's go to Jinshan now!
[Jiang Tianchan's guard: Mountain Gate Tianwang hall Daxiong hall]
Ladies and gentlemen, we are now at the gate of Jinshan Temple. Lookingfrom the right side, there is a plaque of "Jiangtian Temple" hanging on thegate, which was inscribed by Emperor Kangxi of Qing Dynasty when he visitedJinshan. The mountain gate has a strict atmosphere, with two Ming Dynasty stonelions on both sides. I don't know if you have observed that the mountain gatesof temples in China generally face south, but the mountain gates of JinshanTemple face west. This is because Jinshan originally stands in the middle of theriver, the Yangtze River flows from west to East, and the temple gate faceswest. Standing at the temple gate, you can see the magnificent momentum of "theriver goes to the East and the mountains come to the west". This also reflectsthe ingenuity of Chinese ancient architects.
Jinshan Temple was first built in the Eastern Jin Dynasty. It has a historyof more than 1600 years. It was formerly known as Zexin temple. Since the TangDynasty, people have called it Jinshan Temple. In its heyday, there were morethan 3000 monks, and as many as 10000 monks participated in Zen Buddhism, whichplayed an outstanding role in Buddhist temples.
Good! Please follow me to the mountain gate. This is the temple of heavenlykings. It is a five bay palace building with a single eaves on the top of themountain. In the middle is Maitreya Buddha, who is always smiling. Behind it isWei Tuo, the Dharma protector of Buddhism. On both sides are four heavenlykings.
Walking out of Tianwang hall and facing the hall with heavy eaves on thetop of Xieshan mountain, it is "Daxiong hall", which is inscribed by Zhao Puchu,President of China Buddhist Association. It was built in October 1989, with atotal area of 800 square meters. With yellow walls, red columns, golden glazedroof, white stone column base and railing, the whole hall has both themagnificent momentum of northern temples and the exquisite and elegant style ofSouthern gardens, which makes it particularly majestic and magnificent.
Entering the main hall, the three Golden Buddha statues in the middle sitside by side, namely Buddha Shiying, Buddha pharmacist and Buddha Amitabha; onboth sides stand eighteen Arhats, with tall and vivid images. On the left andright attics sat 56 Tianzun. Let's take a look at the back. In the center of thesculpture, there is Guanyin Bodhisattva, shancai boy on the left and Dragon Girlon the right. In the front left, Manjusri Bodhisattva rides a green lion, and inthe front right, Puxian Bodhisattva rides a white elephant. All around theisland, there are 53 painted statues of Bodhisattvas of different sizes andshapes, which have been visited by shancai boy. In particular, Deyun Picchu inJinshan Temple and Jinshan Temple Island are also among them. Coming here, weseem to have entered a wonderful world of Buddhism.
[Xizhao Pavilion Guanyin Pavilion four treasures of Jinshan]
Please follow me to climb the mountain from the back of the main hall andenter the sunset Pavilion. There are seven well preserved steles left byQianlong during his southern tour of Jinshan. These stone tablets recordQianlong's comments on the beautiful scenery of Jinshan in his six visits to thesouth of the Yangtze River, and also leave an interesting rumor: Qianlong wasnot born to his father Emperor Yongzheng. He came to Jinshan Temple six times tofind his biological father.
From Xizhao pavilion to Guanyin Pavilion, you can visit the four treasuresroom. There are four treasures of Jinshan: "Zhou Ding, bronze drum, jade beltand Jinshan painting". First of all, let's take a look at the "Zhou Ding": Thisis a bronze ware awarded by King Xuan of Zhou to Sui Qiqi, the commander of thenorthern expedition, more than 2700 years ago, so it's called the "Zhou DynastySui Qiqi Ding". In 1884, ye Zhiguang presented it to Jinshan Temple forcollection. Then look at the "bronze drum of the Eastern Han Dynasty": it wasgiven to Jinshan Temple by Kuiyuan, the magistrate of Zhenjiang in the QingDynasty. It is said that it was created by Zhuge Liang. It can fight drums onthe front and cook utensils on the back. It is called "ZHUGE drum" by the folk.Then please enjoy the "Dongpo jade belt": it is said that Su Dongpo of the SongDynasty lost a bet with Buddhist monk fo Yin to Jinshan Temple. The belt isdecorated with white jade pieces of different shapes, such as rectangle, circleand heart. Although the jade belt has been used for more than 900 years, it isstill as bright and clean as a mirror. Finally, please enjoy the picture ofJinshan: it was painted by Wen Zhengming, one of the "four masters of MingDynasty". In the painting, the river is vast, and the golden mountain flows inthe middle. Zuo Youwen wrote poems about Ming Dynasty, followed by inscriptionsand postscripts of celebrities of past dynasties.
[miaogaotai - lengjiatai]
From Guanyin pavilion to the south along the stone steps, we come tomiaogaotai, the platform of miaogaotai. This is the Jinshan Buddhist seal builtby drilling in the song and Yuan Dynasties, also known as the sun Sutraplatform. It is said that Su Dongpo's famous Ci poem shuidiaogtou was inspiredhere. The eternal story of "Liang Hongyu fighting against Jinshan" also happenedhere. In 1130, Han Shizhong, a famous general of the Southern Song Dynasty,invaded Jinshan with 400 sailors and tens of thousands of soldiers. Han's wife,Liang Hongyu, ascended the stage and personally challenged the battle drum toencourage the morale of the song army. Since then, the heroines have beenimmortal for thousands of years.
From miaogaotai to the south, I came to lengjietai, also known assujinglou, which is located on the hillside of the south side of Jindong."Lengga" is an Indian word, which means "not to live", or a mountain far awayfrom the sea. This pavilion, which is surrounded by mountains and rocks, is veryskillful. From bottom to top, it has to pass through the triple towers. It isdifficult to find its way to each floor. But as soon as the entrance is opened,suddenly there are stairs to climb. We have to take twists and turns to get tothe top of the building. It really feels like "the mountains are heavy, thewaters are complex, there is no way out, and the willows are dark and theflowers are bright".
In the two spacious lounges on the top floor, you can see many ancientmahogany furniture, celebrity paintings and calligraphy. There is an exquisiteSquare Pavilion in the center, which was named "Xuelang Pavilion" because of thedisplay of Xuelang stone left by Su Dongpo. It is said that Su Dongpo wasentrusted by his old friend Foyin master in his later years to write "LengjiaSutra". Zhao Puchu, President of the Buddhist Association of China, wrote a poemhere: "the pure wind and bright moon are priceless, and there is love near themountains and far away from the water.". When we walk on the corridor outsidethe hall on the top of the stage and have a panoramic view, can we also feel theartistic conception of "clear wind and bright moon, close to mountains and faraway from water" when we see the beautiful scenery of blue sky and riversky?
[Liuyun Pavilion, Foyin Shanfang, qifengshi, guxianren cave]
Ladies and gentlemen, please follow me up the steps from Lengjia terrace toLiuyun Pavilion on the top of Jinshan mountain. Liuyun Pavilion is the most openplace in Jinshan. It is said that Emperor Kangxi accompanied his mother to visitJinshan. When he came here, he could not help saying: "here is a panoramic viewof the river and the sky." In order to please the emperor, the officialsrespectfully invited the emperor to write an inscription. When Kangxi wrote"Jiang Tianyi", he forgot to write and couldn't write any more. One of theministers saw this situation and immediately knelt down to play: "I see youtoday." When Kangxi heard that "I see you now", he suddenly realized and wrotethe word "Lan" in his essay. Because the traditional Chinese character "Lan" iscomposed of "Chen", "Jin" and "Jian", the minister skillfully used the method ofword splitting to remind Kangxi. Although this is a legend, these four words arenot all at once. Look, the word "Jiang Tianyi" is bigger than the word "Lan".Because Kangxi imperial pen "Jiangtian glance" monument in the pavilion, soLiuyun Pavilion is also known as "Jiangtian glance Pavilion".
Not far from the north of Liuyun Pavilion is Foyin mountain house. This isthe residence of the famous master Foyin in Song Dynasty. According to legend,Foyin and Su Dongpo were good friends in their youth. Once they made a bet,Foyin failed, but they had no choice but to become a monk. Because of hisexcellent knowledge, he eventually became the abbot of Jinshan and Jiaoshantemples, while Su Dongpo became a famous scholar in Song Dynasty. They oftenchanted poems and painted here.
From the Foyin mountain house to the northwest, along the road to the west,you come to the Qifeng Pavilion on the jin'ao mountain, which is also calledQifeng Pavilion. It is said that Yue Fei was urged back to Lin'an by 12 goldmedals. He passed through Zhenjiang and went to Jinshan Temple to visit abbotdaoyue. He told him that when he was camping in Guazhou last night, he dreamedof two dogs talking. Dao Yue explained her dream and said, "two dogs are talkingto each other, which is a prison word. I'm afraid there will be a prisondisaster here. Be careful." Before leaving, Dao Yue presented a poem: "the wavesare surging under the storm Pavilion. Be careful to hold the rudder firmly. Bewary of the bad will of your fellow boat, and push yourself into the waves. "Intended to remind Yue Fei. When Yue Fei was killed in the storm Pavilion, hesighed: "I regret not listening to the words of daoyue." Later, when Qin Huilearned that the abbot of daoyue in Jinshan Temple could not predict, he sentGeneral He Li to arrest him. When he arrived in Jinshan, he saw daoyue calling aBuddhist assembly and said, "I am 49 years old, and I have the end of right andwrong. Not for yourself, just because you speak more. He Li comes from thesouth, I go to the West. It's not that the Buddha is powerful. It's almost doneby hand. " Then he went back to heaven. Qin Hui didn't get Dao Yue. He thoughtthat the seven peaks on jin'ao mountain were outstanding, and every generationhad eminent monks. In a rage, he ordered to flatten the seven peaks to destroyFeng Shui. Later generations built this "seven peak Pavilion" in memory of YueFei and Dao Yue.
Along the north side of Qifeng Pavilion, there is a 6.6-meter-deep cave. Ahalf Pavilion is built according to the cave. It is a Taoist relic. Legend hasit that immortal Lu Dongbin once watched the river here, so it is calledimmortal cave. Chinese Buddhists once worshipped Guanyin in this cave, alsoknown as Baiyi cave. If you are interested, you can go down and have a look atthis ancient immortal cave.
5. 鎮(zhèn)江金山導(dǎo)游詞 篇五
金山位于市區(qū)西北，高四十四米，周五百二十米，距市中心三公里。古代金山是屹立于長(zhǎng)江中流的一個(gè)島嶼，“萬(wàn)川東注，一島中立”，與瓜洲、西津渡成犄角之勢(shì)，為南北來(lái)往要道，久以“卒然天立鎮(zhèn)中流，雄跨東南二百州”而聞名，被稱為“江心一朵芙蓉”。直至清代道光年間，才開(kāi)始與南岸陸地相連，于是“騎驢上金山”曾盛行一時(shí)。金山形勝天然，風(fēng)景幽絕，自古為我國(guó)優(yōu)美游覽勝地之一。金山自古名稱很多，古人把揚(yáng)子江比作香水海，把這座山比作《華-嚴(yán)經(jīng)》里的七金山，所以叫作金山。而宋代王存著的《九域志》中則有另一說(shuō)法：唐代高僧法海云游來(lái)此，為子修復(fù)寺廟，每日在山間披荊斬棘，一日挖到黃金。地方官李奇上反皇帝，皇帝敕令將黃金交法海作修復(fù)寺廟之用，并名山為金山。此外，金山還曾叫過(guò)澤心山、浮玉山、獲茯山、龍游山、紫金山等。而金山的名則與金山寺有關(guān)，金山寺巧妙地依山而建，富有獨(dú)特的建筑風(fēng)格，殿宇后堂幢幢相銜，亭臺(tái)樓閣層層相接，山體與寺廟渾然一體，構(gòu)成一組櫞摩棟接，丹輝碧映的古建筑群，景色壯觀，氣勢(shì)雄偉，形成“寺裹山”的獨(dú)特風(fēng)貌。宋休以來(lái)，京流傳著“金山寺裹山，焦山山裹寺”的評(píng)語(yǔ)。金山又有“神話山”之稱，山上每一個(gè)古跡都有迷人的神話、傳說(shuō)和故事。中國(guó)有名的古典神話故事《白蛇傳》中“水漫金山寺”，就源出于此，民間流傳甚廣，為這座名城增添了十分迷人的色彩。小說(shuō)《說(shuō)岳全傳》中的岳飛到過(guò)的金山古跡“七峰亭”，景色宜人。章回小說(shuō)《水滸》中“張順夜伏金山寺，宋江智取潤(rùn)州城(即今鎮(zhèn)江城)”一回對(duì)金山瑰奇風(fēng)景，作了細(xì)膩生動(dòng)的描寫。清代皇帝康熙、乾隆多次南巡，駐蹕金山，留下不少“御制”文物，有關(guān)乾隆在金山的民間故事傳說(shuō)甚多，使金山更負(fù)盛名。歷代詩(shī)人、書法家、名人雅士，如白居易、李白、張祜、孫魴、蘇東坡、王安石、沈拓、范仲淹、趙孟頫、王陽(yáng)明等登臨觀景，留下了許許多多珍貴的遺跡和膾炙人口的題詠。唐代起，國(guó)際友人登山游覽者絡(luò)繹不絕。明代日本畫僧雪舟等楊居住金山兩年半時(shí)間，繪有《大唐揚(yáng)子江心金山龍游禪寺之圖》等有關(guān)金山的畫卷，現(xiàn)保存在寺廟。金山這座青螺般的小山，卻包孕著許多風(fēng)流往事，具有無(wú)限的魅力，吸引了無(wú)數(shù)中外騷客和游人。有人說(shuō)“到了鎮(zhèn)江不去金山，等于沒(méi)到過(guò)鎮(zhèn)江”，此話自有一番道理，當(dāng)你游覽金山之后，便會(huì)明白其中的奧妙。金山游覽路線江天禪寺——夕陽(yáng)閣——觀音閣——楞伽臺(tái)——佛印山房——金山四寶——慈寺塔——古法海洞——留云亭——妙高臺(tái)——七峰亭——白龍洞——朝陽(yáng)洞——古仙人洞——玉帶橋——御碼頭——郭噗墓.
6. 鎮(zhèn)江金山導(dǎo)游詞 篇六
There are many places of interest in Jinshan. The exquisite and beautifulcishou pagoda stands on the top of the mountain in the northwest of Jinshanmountain, 30 meters high. It matches the whole Jinshan mountain and the JinshanTemple just right, as if it has lifted the mountain. The brick and woodstructure of the tower, up and down traffic, each floor eight sides havecorridors and railings, eight sides ventilation, there are scenery, differentscenery layers, Song Dynasty Wang Anshi poem: "several towers pillow layers ofstone, four wall windows open face wind, suddenly see the birds fly on theground, start startled in mid air.". Another example is the lengjietai,miaogaotai, Guanyin Pavilion, Fahai cave, guxianren cave, ancient Bailong caveand other places of interest. They are all built on the basis of rock drillingby the side of the mountain. Their ingenious design makes people admire themagical wisdom and superb art of the builders. Zhang Chuanshan, a great poet andcalligrapher of the Qing Dynasty, said in his crossing the river in the snow onthe 16th: "old friends, when they fold bamboo slips together, the road is notfar from the river. The mellow wine steals away the snow in Jingkou, and the bigsail presses the tide in Haimen. The lights in Yangzhou are hard to make themoon, and the Sheng song in Wu city is left with this flute. The wind and wavesare thousands of miles away, and the two wonderful lotus flowers are Jinjiao. "Compare Jinshan to a beautiful lotus.
The No.1 spring in the world is also called Zhongling spring. Nanlingspring is a mile to the west of Jinshan. It was famous in the Tang Dynasty. Thefirst spring was in the same river with Jinshan. During the reign of Xianfengand Tongzhi in Qing Dynasty, it landed with Jinshan. According to records,before the spring was in the river, the river water came from the west, blockedby Shibo mountain and uishan mountain, the water potential twists and turns,divided into three Ling (Leng means Shuiqu, Sanling means Nanling, Zhongling andBeiling), and the spring water was just under the middle of a Shuiqu, so it wasnamed "Zhongling spring". Because it is located in the southwest of Jinshan, itis also called "Nanling spring".
Zhongling spring was once lost. Later, in the eighth year of Tongzhi reignof the Qing Dynasty, it was discovered by Xue Shuchang and others. So he orderedStoneworkers to build a pool of stones in the spring, and Shen Bingcheng wasobserved by Changzhen Tonghai road. In the spring of the tenth year of Tongzhireign, he wrote and erected a monument, built a pavilion and collapsed. Duringthe reign of Emperor Guangxu, Wang renkan, the magistrate of Zhenjiang, builtstone railings around the pool and built court pavilions beside it. And 40 acresof land, open pond planting lotus, and build dikes, planting willow million,resist the impact of the river, willow lotus phase, very beautiful. On the stonewall to the south of Fangchi, there are five powerful characters of "the bestspring in the world", which was written by Wang renkan. There is an octagonalpavilion in the south of the pool. It has double columns, seven meters indiameter, and is very spacious. It is named "Jianting", which uses water as amirror and springs as a mirror. There are stone tables and benches in thepavilion for visitors to have a rest, which is very cool and elegant. There is atwo-story building in the north of the pool. The teahouse is located upstairsand downstairs. The environment is quiet and the scenery is elegant. It is thebest place for tourists to enjoy tea. On the left side of the front wall of thelower floor, there are stone carvings of "Zhongling spring" written by ShenBingcheng. On the right side, there are stone carvings of "Zhongling spring"written by Shen Bingcheng and "Zhongling spring debate" written by XueShuchang.
Since the Tang Dynasty, Zhongling spring has been loved by people. LuYupin, a tea critic in the Tang Dynasty, ranked Zhongling spring the first inthe world. Liu Bochu, a famous scholar in the later Tang Dynasty, rankedZhongling spring the seventh in the country. Zhongling spring in the YangtzeRiver was the first. From then on, Zhongling spring was known as "the firstspring in the world". It is said that "the cup does not overflow" when thespring water is stored in the cup, although the water is two or three pointshigher than the cup mouth, it does not overflow; when a coin is put on thewater, it does not sink to the bottom. The spring water is as green as jade andthick as Qiongjiang.
7. 鎮(zhèn)江金山導(dǎo)游詞 篇七
Jinshan is located in the northwest of the city, 44 meters high, 520 metersaround, three kilometers away from the city center. In ancient times, Jinshanwas an island standing in the middle stream of the Yangtze River. It was knownas "a lotus in the middle of the river" for a long time. It was not until thereign of Daoguang in the Qing Dynasty that it began to connect with the land onthe south bank, so "riding a donkey to Jinshan" was once popular. Jinshan is abeautiful scenic spot in China since ancient times.
Jinshan has many names since ancient times. The ancients compared theYangtze River to the perfume sea, comparing the mountain to the seven Jinshan inHuayan Jing, so it is called Jinshan. There is another saying in the book ofnine regions written by Wang Cun of the Song Dynasty: Fa Hai, an eminent monk ofthe Tang Dynasty, came here to repair the temple for his son. He cut throughthorns and thorns in the mountains every day and dug gold one day. Li Qi, alocal official, rebelled against the emperor. The emperor ordered that gold behanded over to Fahai for temple restoration, and the mountain was named Jinshan.In addition, Jinshan was once called Zexin mountain, Fuyu mountain, Huofumountain, Longyou mountain, Zijin Mountain, etc. The name of Jinshan is relatedto Jinshan Temple, which is built cleverly according to the mountain and has aunique architectural style. There are many buildings in the back of the temple,and the pavilions and pavilions are connected layer by layer. The mountain andthe temple are integrated to form a group of ancient buildings. The scenery isspectacular and magnificent, forming a unique style of "temple wrappedmountain". Since the Song Dynasty, there has been a saying in Beijing that"Jinshan Temple wraps the mountain, Jiaoshan mountain wraps the temple.".
Jinshan is also known as "myth mountain". Every historic site on themountain has charming myths, legends and stories. This is the origin of thewell-known Chinese classical myth "the legend of the White Snake", which iswidely spread among the people and adds a very charming color to this famouscity. In the novel Shuo Yue Quan Zhuan, Yue Fei visited the Jinshan historicsite "Qifeng Pavilion", which has a pleasant scenery. In the chapter novel watermargin, Zhang Shun lies in Jinshan Temple in the night, and Song Jiang takesRunzhou city (that is, today's Zhenjiang City) wisely. Emperor Kangxi andEmperor Qianlong of Qing Dynasty visited Jinshan many times and left many"imperial" cultural relics. There are many folk tales about Qianlong in Jinshan,which makes Jinshan more famous. Poets, calligraphers, celebrities and scholarsof all ages, such as Bai Juyi, Li Bai, Zhang Hu, sun bream, Su Dongpo, WangAnshi, Shen Tuo, Fan Zhongyan, Zhao Mengfu and Wang Yangming, visited the scenicspots and left many precious relics and popular chants. Since the Tang Dynasty,there has been an endless stream of international friends and tourists. Yangxuezhou, a Japanese painting monk in the Ming Dynasty, lived in Jinshan for twoand a half years. He painted "the picture of Jinshan Longyou temple in themiddle of Yangtze River in the Tang Dynasty" and other paintings about Jinshan,which are now preserved in the temple.
Jinshan, a green snail like hill, contains a lot of romantic past eventsand has infinite charm, attracting numerous Chinese and foreign poets andtourists. Some people say that "if you don't go to Jinshan in Zhenjiang, you'venever been to Zhenjiang". This has its own truth. When you visit Jinshan, youwill understand the mystery.
8. 鎮(zhèn)江金山導(dǎo)游詞 篇八
“三山-金山湖”的地質(zhì)地貌現(xiàn)象極其豐富，極其典型。在焦山-象山一線除了可以看到一個(gè)完整的背斜以及古生代、中生代和新生代各種地層外，更能看到長(zhǎng)江沿江斷裂的斷裂面和殘留在江面上背斜的北翼——焦山、松山、寥山，這對(duì)于研究長(zhǎng)江大斷裂有著獨(dú)特的意義，它是長(zhǎng)江大斷裂惟一得以保存至今的物證。在北固山，從下向上看，依次可以看到粗面集塊巖、凝灰?guī)r、流紋狀粗面巖等火山噴出巖。在金山，可以看到花崗閃長(zhǎng)斑巖侵入在三疊紀(jì)石灰?guī)r中的巖漿侵入現(xiàn)象。在“天下第一泉”，還能看到古代曾出露在江水之中、現(xiàn)已上岸的巖溶上升泉。在金山湖，則可以看到河漫灘、邊灘、鬃崗等一系列長(zhǎng)江堆積地貌，還能看到長(zhǎng)江在北岸(凹岸)的沖刷現(xiàn)象和在南岸(凸岸)的堆積現(xiàn)象。金山湖作為一個(gè)由邊灘發(fā)育后封閉而成的河成湖，在長(zhǎng)江中更是少見(jiàn)……
除此而外，作為國(guó)家級(jí)風(fēng)景名勝區(qū)的“三山”，還有著“白娘子水漫金山寺”、“梁紅玉擊鼓戰(zhàn)金兵”、“劉備招親”、“焦光三詔不起”、“韓世宗大戰(zhàn)金兀術(shù)”、“杜十娘怒沉百寶箱”等眾多民間傳說(shuō)。
因此，“三山-金山湖”既有眾多地質(zhì)自然景觀，又有富有傳奇色彩的人文景觀。這里的旅游業(yè)開(kāi)發(fā)較早，并已形成相當(dāng)?shù)囊?guī)模，“提檔升級(jí)”建成地質(zhì)公園可謂是錦上添花。
9. 鎮(zhèn)江金山導(dǎo)游詞 篇九
各位游客：來(lái)到鎮(zhèn)江，首選的景點(diǎn)必定是金山。因?yàn)榻鹕讲粌H地勢(shì)獨(dú)特，“萬(wàn)川東注，一島中立”，號(hào)稱“江心一朵芙蓉”，更重要的是山上建筑精巧，山和寺相互輝映，渾然一體，山是一座廟，廟是一座山，山因寺得名，寺為山增色，因而以“金山寺裹山”著稱于世。
游客們：在前往金山途中，我先來(lái)介紹一下金山的形成情況。金山位于鎮(zhèn)江市的西北，山高44米，繞山一周約520米。它原是大海之中的一座懸礁孤島，隨著滄桑變遷，由于長(zhǎng)江在流向變動(dòng)中多次沖擊金山北岸的瓜洲，到清朝光緒元年(1875年)，整個(gè)瓜洲全部塌入長(zhǎng)江，就這樣泥沙把金山與陸地聯(lián)成一片，形成了金山的雛形。
金山的聞名還與金山寺的建造密切相關(guān)。早在東晉末年，金山上就建起了一座澤心寺。到了唐朝，有個(gè)名叫法海的禪師在此開(kāi)山得金，重建了古剎，更名為金山寺，規(guī)模十分宏大，香火一直綿延至今。
美麗的金山還流傳著許多動(dòng)人的傳說(shuō)，《白蛇傳》中的“水漫金山寺”一段故事，更為金山增添了一層神秘的色彩。游客們：下面就讓我們?nèi)ビ钨p金山吧!
【江天禪守：山門—天王殿—大雄寶殿】
各位游客：我們現(xiàn)在來(lái)到了金山寺山門，大家朝正方看：山門上懸掛著一塊“江天禪寺”的橫匾，這是清康熙皇帝來(lái)金山觀光時(shí)親筆題寫的。山門氣象森嚴(yán)，兩只明代石獅雄踞兩旁。不知各位有沒(méi)有觀察到，我國(guó)寺廟的山門一般是朝南的，而金山寺的山門卻是朝西的，這是因?yàn)榻鹕皆瓉?lái)聳立在江心，長(zhǎng)江由西向東奔流，寺門向西，站在寺門口可以看到“大江東去，群山西來(lái)”的壯觀氣勢(shì)。這也反映了我國(guó)古代建筑師別具匠心。
金山寺最初建于東晉，距今已有1600多年的歷史了，原名澤心寺。自唐以來(lái)，人們統(tǒng)稱金山寺。全盛時(shí)期有和尚3000余人，參禪的僧侶有萬(wàn)人之多，在佛教禪宗寺廟中有著卓著的地位。
好!請(qǐng)各位隨我進(jìn)入山門。這是天王殿，是一座單檐歇山頂?shù)奈彘_(kāi)間宮殿式建筑，中間供奉的是笑口常開(kāi)的彌勒佛，背后是佛門的護(hù)法神韋馱，兩側(cè)是四大天王。
走出天王殿，迎面這座重檐歇山頂大殿，就是“大雄寶殿”，它由中國(guó)佛教協(xié)會(huì)會(huì)長(zhǎng)趙樸初題寫殿名。于1989年10月建成，總面積800平方米，黃墻紅柱，金色的琉璃屋面，白石柱礎(chǔ)欄桿，使整個(gè)大殿既有北方寺廟雄渾富麗的氣勢(shì)，又兼有南方園林精美雅致的風(fēng)格，顯得格外巍峨壯麗，金碧輝煌。
進(jìn)入大殿，正中三尊金身佛像并列而坐，分別是釋迎牟尼佛、藥師佛和阿彌陀佛;兩旁站立十八羅漢，形象高大，栩栩如生。左右閣樓上坐著56天尊。我們?cè)賮?lái)看背面，“五十三參”海島群塑中，正中為觀音菩薩，左為善財(cái)童子，右為龍女，左前方文殊菩薩騎著青獅，右前方普賢菩薩跨著白象，正上方地藏王菩薩坐騎揭諦獸，正中頂上為如來(lái)佛，四大天王分布下方左右。海島上下四周，分布著大小不一，形態(tài)各異的被善財(cái)童子參拜過(guò)的53位菩薩的彩塑。特別引人注目的是，金山寺中的德云比丘，以及金山寺海島也在其中。來(lái)到這里，我們仿佛進(jìn)入了一個(gè)美妙的佛國(guó)世界。
【夕照閣—觀音閣—“金山四寶”】
請(qǐng)大家隨我從大殿后側(cè)登山，進(jìn)入夕照閣。閣內(nèi)有保存完好的乾隆南巡金山時(shí)留下的7塊御碑。這些石碑記載著乾隆六下江南對(duì)金山勝景的評(píng)價(jià)，還留下了一個(gè)頗有趣味的傳聞：乾隆不是其父雍正皇帝所生，他6次來(lái)到金山寺，目的就是來(lái)尋找自己的生身父親。
觀賞了乾隆的御碑，由夕照閣上行至觀音閣，去參觀四寶室。室內(nèi)珍藏著金山的鎮(zhèn)山四寶：“周鼎、銅鼓、玉帶和金山圖”。先請(qǐng)各位來(lái)看“周鼎”：這是2700多年前，周宣王獎(jiǎng)給北伐統(tǒng)帥遂啟棋的青銅器，因而全稱“周朝遂啟棋大鼎”。1884年湖北漢陽(yáng)葉志光贈(zèng)給金山寺收藏。接著看“東漢銅鼓”：這是清代鎮(zhèn)江知府魁元贈(zèng)給金山寺的。相傳為諸葛亮所創(chuàng)制，正面可作戰(zhàn)鼓，反面能做炊具，民間稱之為“諸葛鼓”。然后再請(qǐng)欣賞“東坡玉帶”：相傳是宋朝蘇東坡與佛印和尚打賭輸給金山寺的，帶上綴系著長(zhǎng)方形、圓形、心形等形狀不同的白色玉片。玉帶雖經(jīng)900余年，仍然光潔如鑒。最后請(qǐng)大家觀賞《金山圖》：它是由“明四家”之一文徵明所繪。畫中江水蒼茫，金山中流，左有文做明的題詩(shī)，后有歷代名人的題跋。
【妙高臺(tái)—楞伽臺(tái)】
由觀音閣朝南沿石階而上，我們來(lái)到了妙高峰的平臺(tái)——妙高臺(tái)。這是金山高僧佛印在宋元佑年間鑿巖建造的，又稱為曬經(jīng)臺(tái)。這里歷來(lái)是中秋賞月的佳處，傳說(shuō)蘇東坡的著名詞作《水調(diào)歌頭》就是在此地有感而發(fā)的�！傲杭t玉擂鼓戰(zhàn)金山”的千古佳話，也發(fā)生在這里。1130年南宋名將韓世忠以400水兵將數(shù)萬(wàn)人侵金兵團(tuán)在金山附近。韓夫人梁紅玉登上妙高臺(tái)，親擂戰(zhàn)鼓，鼓勵(lì)士氣，宋軍大振，大破金兀術(shù)。從此巾幗英雄流芳百世，雄風(fēng)千載。
從妙高臺(tái)往南，來(lái)到了位于金山東南側(cè)山腰上的楞枷臺(tái)，又名蘇經(jīng)樓�！袄阗ぁ笔怯《日Z(yǔ)，意為“不可住”，或者說(shuō)是大海中遠(yuǎn)不可達(dá)、高不可攀的一座大山。這座傍山駁石的樓閣，建筑奇巧，由下而上要經(jīng)過(guò)三重樓閣，每上一層，就難尋去路，但一開(kāi)洞門，忽見(jiàn)有樓梯可登。大家要迂回曲折，才能到達(dá)樓頂，真有“山重水復(fù)疑無(wú)路，柳暗花明又一村”的感覺(jué)。
在最高層的兩間寬敞休息廳里，可以看到許多古代紅木家具、名人書畫。中央有座玲瓏的四方亭，因亭內(nèi)曾陳列過(guò)蘇東坡遺留下來(lái)的雪浪石，故取名“雪浪亭”。據(jù)說(shuō)蘇東坡晚年受老友佛印法師相托在此寫過(guò)《楞枷佛經(jīng)》。中國(guó)佛教協(xié)會(huì)會(huì)長(zhǎng)趙樸初在這里寫有“清風(fēng)明月本無(wú)價(jià)，近山遠(yuǎn)水皆有情”的詩(shī)句。走上臺(tái)頂廳外長(zhǎng)廊，極目遠(yuǎn)眺，當(dāng)我們看到了四面碧空萬(wàn)里、江天渾然一色的美景，是不是也能感受到“清風(fēng)明月，近山遠(yuǎn)水”的意境呢?
【留云亭—佛印山房—七峰事—古仙人洞】
各位游客：請(qǐng)跟我由楞伽臺(tái)向北沿臺(tái)階緩步而上，前去攀登金山頂峰的留云亭。留云亭是金山視覺(jué)最為開(kāi)闊之處。傳說(shuō)當(dāng)年康熙皇帝陪其母游覽金山來(lái)到這里，看到大江東去，水天一色的壯景，情不自禁地說(shuō)：“這里可謂江天一覽�！惫賳T們?yōu)榱擞懟实蹥g心，恭請(qǐng)圣上題詞。當(dāng)康熙寫到“江天一”時(shí)，提筆忘字，忽然寫不下去了。其中有一大臣見(jiàn)此情狀，立即跪奏：“臣今見(jiàn)駕。”康熙聽(tīng)見(jiàn)“臣今見(jiàn)”，恍然大悟，隨筆寫出“覽”字。因?yàn)椤坝[”字繁體正是由“臣、今、見(jiàn)”三個(gè)單字組成，這位大臣巧妙地用拆字法提醒了康熙，十分機(jī)靈。雖然這是傳說(shuō)，但這四個(gè)字的確不是一氣呵成。大家看，這“江天一”三字要比“覽”字大些。因康熙御筆“江天一覽”碑在亭內(nèi)，故留云亭又稱為“江天一覽亭”。
從留云亭北走不遠(yuǎn)，便到了佛印山房。這里是宋代著名法師佛印的住處。相傳，佛印與蘇東坡是青年時(shí)代的好友，一次兩人打賭，佛印失敗，無(wú)奈出家遁入空門。由于他學(xué)識(shí)高超，最終成為金山和焦山兩座寺廟的住持大方丈，蘇東坡則成了宋代有名的大學(xué)士，兩人經(jīng)常在這里吟詩(shī)作畫。
從佛印山房朝西北沿路西行，就來(lái)到了金山西側(cè)的金鰲嶺上的七峰亭，該亭又稱七峰閣。據(jù)說(shuō)岳飛當(dāng)年被十二道金牌催返臨安，途經(jīng)鎮(zhèn)江，到金山寺拜訪道月方丈，告訴他自己昨夜?fàn)I宿瓜洲時(shí)，夢(mèng)見(jiàn)兩犬講話。道月解夢(mèng)說(shuō)：“二犬對(duì)言，是一獄字，此去恐怕有牢獄之災(zāi)，務(wù)必謹(jǐn)慎。”臨別時(shí)，道月贈(zèng)詩(shī)一首：“風(fēng)波亭下浪滔滔，千萬(wàn)留心把舵牢。謹(jǐn)防同舟人意歹，將身推落在波濤�！币庠谔嵝言里w。岳飛被害于風(fēng)波亭時(shí)嘆息：“悔不聽(tīng)道月之言�！焙髞�(lái)秦檜得知金山寺道月方丈能未卜先知，便派將軍何立前去拘捕，何立剛到金山，見(jiàn)道月在召集佛會(huì)說(shuō)法：“吾年四十九，是非終目有。不為自己身，只因多開(kāi)口。何立自南來(lái)，我向西方走。不是佛力大，幾乎落人手。”說(shuō)完便坐化歸天了。秦檜未拿到道月，認(rèn)為金鰲嶺上七峰突出，每代都出高僧，盛怒之下，下令削平七峰，以破壞風(fēng)水，后人為紀(jì)念岳飛和道月就建了這座“七峰亭”。
沿七峰亭北面彎曲石級(jí)路向下，有一洞深6.6米，依山洞建筑一座半亭，這是道教遺跡。傳說(shuō)仙人呂洞賓曾在這里觀望江面，所以叫仙人洞。國(guó)佛教徒也曾把觀音供奉此洞，又名白衣洞。大家有興趣的話，可以下去看看這個(gè)古仙人洞。
10. 鎮(zhèn)江金山導(dǎo)游詞 篇十
金山名勝古跡甚多，俯拾皆是。玲瓏秀麗的慈壽塔立于金山西北山巔之上，高30米，和整個(gè)金山及金山寺配合的恰到好處，仿佛把這座山都拔高了。磚木結(jié)構(gòu)的塔，上下通行，每一層八面都有走廊和欄桿，八面通風(fēng)，面面有景，層層風(fēng)光不一樣，宋代王安石詩(shī)云：“數(shù)重樓枕層層石，四壁窗開(kāi)面面風(fēng)，忽見(jiàn)鳥(niǎo)飛平地上，始驚身在半空中”。再如楞枷臺(tái)、妙高臺(tái)、觀音閣、法海洞、古仙人洞、古白龍洞等名勝古跡，皆依山旁勢(shì)鑿巖而建，構(gòu)思神巧，令人贊嘆建筑者的神奇智慧和高超藝術(shù)。清代大詩(shī)人、大書畫家張船山《十六日雪中渡江》云：“故人折簡(jiǎn)近相招，一舸橫江路不遙。醇酒暗消京口雪，大帆平壓海門潮。揚(yáng)州燈火難為月，吳市笙歌剩此簫。那管風(fēng)濤千萬(wàn)里，妙蓮兩朵是金焦�！睂⒔鹕奖葹橐欢涿利惖纳徎ā�
天下第一泉又名中泠泉，南泠泉，在金山以西一里之遙。唐代時(shí)就已聞名天下。第一泉原與金山同在江中，清咸豐、同治年間，遂隨金山登陸。據(jù)記載，以前泉水在江中，江水來(lái)自西方，受到石簿山和鶻山的阻擋，水勢(shì)曲折轉(zhuǎn)流，分為三泠(冷是水曲的意思，三泠為南泠、中泠、北泠)，而泉水就在中間一個(gè)水曲之下，故名“中泠泉”。因位置在金山的西南面，故又稱“南泠泉”。
中泠泉曾一度迷失，后來(lái)于清朝同治八年被候補(bǔ)道薛書常等人發(fā)現(xiàn)，遂命石工在泉眼四同迭石為池，并由常鎮(zhèn)通海道觀察使沈秉成，于同治十年春寫記立碑，建亭覆亡。光緒年間鎮(zhèn)江知府王仁堪又在池周造起石欄，池旁筑庭榭。并拓地四十畝，開(kāi)塘種植荷菱，又筑土堤，種柳萬(wàn)株，抵擋江流沖擊，柳荷相映，十分秀麗。方池南面石壁上刻有“天下第一泉”五個(gè)遒勁大字，為王仁堪所書。池旁蓋樓建亭，池南建有一座八角亭，雙層立柱，直徑七米，十分寬敞，取名“鑒亭”，是以水為鏡，以泉為鑒之意。亭中有石桌石凳，供游人小憩，十分風(fēng)涼幽雅。池北建有兩層樓房一座，樓上樓下為茶室，環(huán)境幽靜，林蔭覆護(hù)，風(fēng)景清雅，是游客品茗的最佳之處。樓下層前壁左側(cè)，嵌有沈秉成所書“中泠泉”三字石刻，右側(cè)為沈秉成“中泠泉”及薛書常“中泠泉辯”石刻。
唐朝以來(lái)，中泠泉水一直為人們所喜愛(ài)。唐代評(píng)茶專家陸羽品中泠泉水為天下第一，后唐名士劉伯芻分全國(guó)水為七等，揚(yáng)子江的中泠泉為第一，從此中泠泉被譽(yù)為“天下第一泉”。用此泉水沏茶，清香甘冽，相傳有“盈杯不溢”之說(shuō)：貯泉水于杯中，水雖高出杯口二三分都不溢;水面放上一枚硬幣，也不見(jiàn)沉底。泉水綠如翡翠，濃似瓊漿，其醇可知。
11. 鎮(zhèn)江金山導(dǎo)游詞 篇十一
金山位于市區(qū)西北，高四十四米，周五百二十米，距市中心三公里。古代金山是屹立于長(zhǎng)江中流的一個(gè)島嶼，“萬(wàn)川東注，一島中立”，與瓜洲、西津渡成犄角之勢(shì)，為南北來(lái)往要道，久以“卒然天立鎮(zhèn)中流，雄跨東南二百州”而聞名，被稱為“江心一朵芙蓉”。直至清代道光年間，才開(kāi)始與南岸陸地相連，于是“騎驢上金山”曾盛行一時(shí)。金山形勝天然，風(fēng)景幽絕，自古為我國(guó)優(yōu)美游覽勝地之一。
金山自古名稱很多，古人把揚(yáng)子江比作香水海，把這座山比作《華嚴(yán)經(jīng)》里的七金山，所以叫作金山。而宋代王存著的《九域志》中則有另一說(shuō)法：唐代高僧法海云游來(lái)此，為子修復(fù)寺廟，每日在山間披荊斬棘，一日挖到黃金。地方官李奇上反皇帝，皇帝敕令將黃金交法海作修復(fù)寺廟之用，并名山為金山。此外，金山還曾叫過(guò)澤心山、浮玉山、獲茯山、龍游山、紫金山等。而金山的名則與金山寺有關(guān)，金山寺巧妙地依山而建，富有獨(dú)特的建筑風(fēng)格，殿宇后堂幢幢相銜，亭臺(tái)樓閣層層相接，山體與寺廟渾然一體，構(gòu)成一組櫞摩棟接，丹輝碧映的古建筑群，景色壯觀，氣勢(shì)雄偉，形成“寺裹山”的獨(dú)特風(fēng)貌。宋休以來(lái)，京流傳著“金山寺裹山，焦山山裹寺”的評(píng)語(yǔ)。
金山又有“神話山”之稱，山上每一個(gè)古跡都有迷人的神話、傳說(shuō)和故事。中國(guó)有名的古典神話故事《白蛇傳》中“水漫金山寺”，就源出于此，民間流傳甚廣，為這座名城增添了十分迷人的色彩。小說(shuō)《說(shuō)岳全傳》中的岳飛到過(guò)的金山古跡“七峰亭”，景色宜人。章回小說(shuō)《水滸》中“張順夜伏金山寺，宋江智取潤(rùn)州城(即今鎮(zhèn)江城)”一回對(duì)金山瑰奇風(fēng)景，作了細(xì)膩生動(dòng)的描寫。清代皇帝康熙、乾隆多次南巡，駐蹕金山，留下不少“御制”文物，有關(guān)乾隆在金山的民間故事傳說(shuō)甚多，使金山更負(fù)盛名。歷代詩(shī)人、書法家、名人雅士，如白居易、李白、張祜、孫魴、蘇東坡、王安石、沈拓、范仲淹、趙孟頫、王陽(yáng)明等登臨觀景，留下了許許多多珍貴的遺跡和膾炙人口的題詠。唐代起，國(guó)際友人登山游覽者絡(luò)繹不絕。明代日本畫僧雪舟等楊居住金山兩年半時(shí)間，繪有《大唐揚(yáng)子江心金山龍游禪寺之圖》等有關(guān)金山的畫卷，現(xiàn)保存在寺廟。